The Case of the Reincarnated Client by Tarquin Hall #netgalley @rararesources @tarquinhall @severnhouse #vishpuri #blogtour #bookreview

I’m very pleased to be on the blog tour today for the marvellous ‘The Case of the Reincarnated Client’ by Tarquin Hall. Many thanks to Rachel’s Random Resources and for including me, and my copy of the e-book from the publisher and author, via Netgalley.


What’s it about?

The Case of the Reincarnated Client Cover
When a young woman comes forward saying she’s the reincarnation of Riya Kaur, a wife and mother who vanished during the bloody 1984 anti-Sikh riots, Puri is dismissive. He’s busy enough dealing with an irate matrimonial client whose daughter is complaining about her groom’s thunderous snoring. Puri’s indomitable Mummy-ji however is adamant the client is genuine. How else could she so accurately describe under hypnosis Riya Kaur’s life and final hours?

Driven by a sense of duty – the original case was his late father’s – Puri manages to acquire the police file only to find that someone powerful has orchestrated a cover-up.

Forced into an alliance with his mother that tests his beliefs and high blood pressure as never before, it’s only by delving into the past the help of his reincarnated client that Puri can hope to unlock the truth.

My thoughts

This is my first brush with Vish Puri from Most Private Investigators, and it certainly won’t be my last.

Relentless and resolute Mummy-ji begins to harass Puri at his office, to his intense irritation, with her staunch belief that a case Puri’s father left unsolved; the murder of Sikh woman Riya Kaur in the horrific massacre that followed the assassination of Indira Gandhi, is now on the verge of being solved. A young woman, undergoing past life regression therapy, claims to be the reincarnation of the murdered woman, and Mummy-ji wonders if, finally, they will be able to prove how she died.

Teeth gritted and disbelief suspended (because good boys do what their mummies want), Puri starts to juggle this investigation along with other pressing matters, like the sudden and urgent need to bank a lot of cash and solve the mystery of the Snoring Husband. Not to mention an impromptu reconnaissance into Hairy Toes (as observed from under an executive toilet cubicle door) and a clandestine snoop which must be concealed from his wife, Rumpi.

So begins an energetic and entertaining story. Mummy-ji and Puri’s verbal ripostes are delightful, as she outmanoeuvres and out-detectives him at every turn. His team at Most Private Investigators are inspired. There are also considerable ventures into Indian history, politics, injustice, pollution, and the daily lives of ordinary people in a populous city, trying to make ends meet. We live and breathe (through a facemask, if we’ve any good sense) in Delhi for the course of the story and the sense of place is outstanding.

Puri, or ‘Chubby’, as he is affectionately known, spends a great deal of the story either eating or fantasising about food. My stomach rumbled constantly throughout his vibrant gastronomic tour of Delhi. It’s almost worth reading for this alone, although if you include the car saga it’s all the better.

Superb use of language (both English and Hindi), brilliantly plotted, imaginative, colourful, witty and amusing, (though in parts, harrowing) with great characters – there is everything to love about this story.

Most Highly Recommended.

If you wish to buy The Case of the Reincarnated Client, please click on one of the following purchase links:

UK Amazon

US Amazon

Author Bio:

Tarquin Hall Author Picture
British author Tarquin Hall in Nizamuddin, New Delhi Photo: Tom Pietrasik New Delhi, India February 15th 2012

Tarquin Hall is a British author and journalist who has previously lived in the USA, Pakistan, India, Kenya and Turkey.

He now divides his time between the UK and India and is married to BBC reporter and presenter Anu Anand.

He is the author of four previous Vish Puri mysteries and The Delhi Detective’s Handbook.

To connect with the author:

Twitter @severnhouse

Twitter @tarquinhall

Instagram @severnhousepublishers

 

As usual, this is a blog tour, and there will be many other unique perspectives on the book. Do please visit the bloggers to read them.

The Case of the Reincarnated Client Full Tour Banner

#Halloween #BookReview of ‘Starve Acre’ by Andrew Michael Hurley #netgalley @johnmurrays #andrewmichaelhurley #StarveAcre

What’s it all about?

The worst thing possible has happened. Richard and Juliette Willoughby’s son, Ewan, has died suddenly at the age of five. Starve Acre, their house by the moors, was to be full of life, but is now a haunted place.

Juliette, convinced Ewan still lives there in some form, seeks the help of the Beacons, a seemingly benevolent group of occultists. Richard, to try and keep the boy out of his mind, has turned his attention to the field opposite the house, where he patiently digs the barren dirt in search of a legendary oak tree.

Starve Acre is a devastating new novel by the author of the prize-winning bestseller The Loney. It is a novel about the way in which grief splits the world in two and how, in searching for hope, we can so easily unearth horror.

My thoughts:

I was falling over myself trying to get an ARC of Starve Acre, having loved The Loney so much that it makes my top ten every time I’m asked! I was beyond excited when I was accepted by the publisher. Thank you so much Netgalley and John Murray Press.

Starting with the sudden death of their five-year-old son, Ewan, Richard and Juliette are trying to cope with the aftermath. Juliette is unwilling to let go, and we soon suspect that there is more to this than mere grief. Her authoritarian sister, Harriet, arrives to try to prise Juliette from the house and back to her parents, but realises there is no chance until the Beacons, a seeming innocuous group of occultists have visited to impart some other-worldly knowledge upon the bereaved parents. Great characters, deliciously chilling folklore, adept capture of the divisive nature of grief, and perfect setting.

Dripping with menace, it plays on our darkest fears and intensifies the superstitious mindset of some British countryside folk. It’s gorgeous.

The story reminded me of Henry James and the best of MR James, and one Stephen King novel in particular *feels hair on arms rise. It’s brief; I read it in one sitting. It feels like I’ve been given a flash of something awful in the torchlight and now all I can do is think about it and let my imagination do the rest. This is also a BBC Radio 4 Book At Bedtime. Sleep well listeners….

Having experienced the worst nightmare of my adult life halfway through reading The Loney, I am pleased to confirm that Starve Acre is another masterpiece of modern folk horror. My only regret is that I read this on a sun lounger in Morocco and not cosied up in a chair, with a suitable autumn storm blowing wildly outside. I’m going to read it again in the dark when the weather turns. Stunning, Andrew Michael Hurley. I can still feel this one in my bones.

To snare yourself a copy:    Wordery

Amazon UK

 About the author:

Andrew Michael Hurley picture
Andrew Michael Hurley has lived in Manchester and London, and is now based in Lancashire. The Loney, his debut novel – was first published in October 2014 by Tartarus Press, a tiny independent publisher based in Yorkshire, as a 300-copy limited-edition. It won the Costa First Novel Award 2015 and went on to be named Debut of the Year and Overall Book of the Year at the British Book Industry Awards in May 2016.

‘A Boy and His Dog at the End of the World’ by C. A. Fletcher #AboyAndHisDogBook #NetGalley #amreading #bookbloggers #bookreview @orbitbooks #littlebrownbookgroup @CharlieFletch_r

“My name’s Griz. My childhood wasn’t like yours. I’ve never had friends, and in my whole life I’ve not met enough people to play a game of football.

My parents told me how crowded the world used to be, but we were never lonely on our remote island. We had each other, and our dogs.

Then the thief came.

There may be no law left except what you make of it. But if you steal my dog, you can at least expect me to come after you.

Because if we aren’t loyal to the things we love, what’s the point?”

I have already made my mental list of the friends to whom I will be lending my copy of this book once I’ve bought it. Yes, Marie Kondo, you heard me right. I’ve already read it, AND I will be buying the physical copy. It will bring me joy sitting on my shelf, available for my kids and friends, whilst all the time looking fabulous in its amazing cover and having one of the best titles I will ever own! This may even be one I’d read again, particularly after the twists revealed in the final fifth.

To me, this is a story about the power of stories; the way they can teach us about the world, ideas, history, practicality, and how they are told, by whom, and for what purpose.

It’s also about humans; how they can be duplicitous, exploitative, selfish, cruel, cowardly and vengeful, whilst also having the capacity to be compassionate, thoughtful, fanciful, brave, loyal and ardent. All our grey areas.

Yet we are also, to our downfall, too clever for our own good. A ‘soft apocalypse’ leaves teenager Griz and his family as a few of the only humans left.

A Boy and his Dog at the End of the World follows Griz on a quest to find a stolen dog, through a wasteland of the last mass human activity a century ago, but one which is on its way to being reclaimed by nature (plastics excepted).

I didn’t read it quickly, but that isn’t because it’s not absorbing; it’s so thought provoking that I think I may have spent an inordinate amount of time staring into space, with it on my mind. Some of the story progresses slowly, but it always feels realistic under the circumstances. It is 100% worth sticking with.

It reminded me a little bit, although the story is different, of a book I read at school in English class, pre-GCSE, called ‘Z for Zachariah’. The apocalyptic circumstances were different, but the dangers which humans can pose to each other, when there aren’t too many of them left, made me pluck this one out of my (very distant) memory.

It’s very well written; the sentences have a lovely, rhythmic balance. It’s a stream of thought-diary-style, and the grammar reflects this. The characters are vivid, and the situations feel uncomfortably real and palpably tense. I loved the duality between one boy and his dog, and another, both at the end of the world. There are so many quotable bits of writing; my e-reader is littered with highlighted notes. John Dark and all associated mispronunciations are especially good!

All of the characters (including the dogs) will stay with me for a long while, as will the situation in which they found themselves. I thoroughly enjoyed reading it. Thanks very much to Netgalley and Orbit for the ARC in exchange for an honest, unbiased review.

Publication date in the UK is 25th April 2019. Get yourself a copy here: A Boy and his Dog at the End of the World

‘The Silver Road’ by Stina Jackson #netgalley #TheSilverRoad #bookbloggers #book review #amreading #noirfiction

Atmospheric, slow burning and heart-rending . A superb debut novel, and a must-read for fans of noir fiction.

“Even the darkest journey must come to an end…

Three years ago, Lelle’s daughter went missing in a remote part of Northern Sweden. Lelle has spent the intervening summers driving the Silver Road under the midnight sun, frantically searching for his lost daughter, for himself and for redemption.
Meanwhile, seventeen-year-old Meja arrives in town hoping for a fresh start. She is the same age as Lelle’s daughter was – a girl on the brink of adulthood. But for Meja, there are dangers to be found in this isolated place.

As autumn’s darkness slowly creeps in, Lelle and Meja’s lives are intertwined in ways, both haunting and tragic, that they could never have imagined.”

The chapters are interchangeably split between Lelle, who relentlessly searches the area around the Silver Road for his teenage daughter who has been missing for three years, and Meja, who travels around from place to place and man to man with her worryingly unstable and self-absorbed mother. She meets a boy, although he is from an unorthodox background too.

The first half of the book has an almost feverish quality to it. Set in the months in Sweden when it doesn’t get dark, the erratic behaviour of the characters (and the mosquitoes, the damned mosquitoes *slaps neck) fits really well with the days which never seem to end. It’s also in contrast to the bleakness of the story. The second half is set in the darkness of winter, where Lelle has to scale down his search and the two stories start to combine.

This isn’t really a detective novel, but it is a crime one; it’s a desperate man looking for answers, trying to succeed where the police gave up. Lelle suspects everyone; the police were perhaps looking closer to home. As readers, we just don’t know. Is his own guilt driving him, or is he right to keep searching to find out what really happened? Then, another girl goes missing.

It doesn’t twist and turn too much, there is no real shock reveal; it’s a more profound story with a slower pace, wending its way to an almost inevitable conclusion.

It’s emotional, visceral and heart rending. It drew me in and kept me there. It’s a story about isolation and abandonment, where suffocating loneliness means that any attachment is better than none at all. The characters are really well developed, and the story is totally absorbing. I really loved it.

About the author…

Stina Jackson

Stina Jackson (b. 1983) hails from the northern town of Skellefteå in Sweden. Just over a decade ago she relocated to Denver, Colorado, where she penned her debut novel, the acclaimed The Silver Road. A runaway bestseller, the novel established Jackson as a rising new star within Nordic suspense.

Awards
The Swedish Academy of Crime Writers’ Award (Best Swedish Crime Novel) Sweden 2018
Shortlisted for the Crimetime Specsavers Award (Crime Debut of the Year) Sweden 2018

The Silver Road will be released in the UK on 7th March 2019, published by Corvus / Atlantic Books

To get your copy, click this link: The Silver Road

‘The Chestnut Man’ by Søren Sveistrup #TheChestnutMan #netgalley #ScandiNoir #bookreview #bookbloggers #2019books

Brilliant, compelling, unputdownable!

This Scandi-noir novel by The Killing writer Søren Sveistrup, and translated into English by Caroline Waight, concerns the Copenhagen police investigation into a series of cleverly orchestrated and gruesome murders, carried out by a killer who becomes known as The Chestnut Man, on account of the seemingly innocent children’s figures which are found close to each mutilated body.

Rosa Hartsung, the Danish Minister for Social Affairs returns to work, following a period of absence after the abduction of her daughter, Kristine. She is known to have been murdered, but her body has never been found.

As the investigation into The Chestnut Man begins, it appears that Rosa Hartsung’s return to office, and her responsibility for child welfare, may be linked to the killings.
Naia Thulin is a smart young detective assigned to the case as her last, before her coveted move to the cyber-crime unit. To her irritation, Mark Hess from Europol is also transferred to the case. The Hague do not appear to be in a hurry to have him return; he seems to have left under a cloud. The pair’s relationship in the first instance, is polarised, with both detectives’ focuses being on their long-term career objectives, neither of which is to remain in Homicide.

The development and complexity of the case, however, brings them together and they become an effective and close-knit pairing. Thulin follows procedure but is assertive, tech savvy and clever; Hess is more unorthodox and intuitive. They know they are playing a game of cat and mouse with the killer and as they try to break his hold over the game, the darker and more disturbing the story becomes, but are they still being manipulated?

Cleverly sidestepping the obvious, without being obtuse, is one of the major strengths of this story. I suspected, with due motive, almost every character apart from the actual perpetrator. Although I don’t always need it to be so, as a reader, it is really very satisfying when a story ties up every loose end, and this does, despite ending on an unsettling note.

Typical to this genre, which is one of my favourites, this Danish novel is dark and macabre, set in beautiful autumn, beset by driving, relentless rain and bitter snowfall as the seasons change. It provides the faultless atmospheric setting for the brutality and perversity of the most odious side of human nature.

There are some disturbing subjects, particularly concerning children, but they are pertinent to the central theme.

It is written in the present tense, mostly in present day, only occasionally taking us back to events in 1989. This allows a flowing visualisation of the story, and I would love to see this on screen. Fans of The Killing and The Bridge will, I think, love this book.

Many thanks to Netgalley and Penguin Michael Joseph for an ARC, in exchange for an honest and impartial review.

The Kindle and hardcover release date in the UK is 10th January 2019.